Delivery time!

Longitude found! The book has been published, the exhibition has opened, and so far all is going pretty well. Although, of course, there are things I would have liked to have changed or tweaked, I am really pleased with how both look and with the message that is, by and large, coming across.

It’s difficult to get an impression of an exhibition through photographs, rather than actually being there. It is a three or even four dimensional experience that involves light, sound, space and (occasionally) touch as well as objects and text. It surrounds you and you move through it and across it over time. Nevertheless, because it was amazing for me to see it after so long existing only in lists of objects, label text and designers’ drawings, I put up a picture gallery over on The H Word, with captions that offer a whistle-stop tour.

National Maritime Museum's Ships, Clocks and Stars exhibition

The exhibition opens with a large, changing seascape – a scene with no landmarks except the moon and stars – and objects that evoke the risks and rewards of maritime travel. Photograph: National Maritime Museum

The exhibition has been previewed and reviewed positively. Maev Kennedy at the Guardian focused on Hogarth as well as Harrison, noting the rich variety of objects on display. In the Times [£], Libby Purves said that the story “is elegantly and excitingly displayed”.

Richard Dunn, the lead curator (and my co-author), and Katy Barrett did sterling work talking to these and other journalists. They were also interviewed in an excellent slot on Front Row and Richard did a great job on BBC London. I helped out on launch day, and had also written a piece for BBC History Magazine’s July issue. The book has brought in some nice reviews too – there are two on Amazon so far (4 and a very nice 5 star) and this one on Robin’s Reviews, which calls it an “excellent, elegant book”.

All very pleasing, but the work is a long way from over. There are lots of events for Longitude Season at Royal Museums Greenwich. Have a look at the link to see what’s on. I personally (so far…) will be doing the following:

  • There are all sorts of things going on at the “Dark & Stormy” Late at the National Maritime Museum on 24 July, but Richard and I will be there to give gallery tours and/or Pecha Kucha presentations
  • 25-26 July is the Longitude Project conference at the NMM, Longitudes Examined, in which I’ll be on the final discussion panel
  • I will be joining David Barrie, author of Sextant, for a book event and signing at Waterstones Trafalgar Square on 27 August (TBC)
  • On 30 August I will be giving a walking tour to reveal Longitude in Georgian London
  • In an event co-orgainised with the Royal Society on 25 September, I will be joining Martin Rees, the Astronomer Royal, in a discussion about the old longitude story and the new Longitude Prize
  • I will be one of a team (including Simon Schaffer and Joe Cain) delivering a Science and Empire study day on 18 October 
  • On 30 October I will be giving one of the Maritime Lectures at the NMM (probably on Nevil Maskelyne’s contribution to the longitude story, since I hope the collection of essays on him that I have edited will be out by then).

I’m looking forward to all of this, but seeing it all written out is a little daunting! A lesson to share is not to take on a new lectureship in the same year as you have to deliver books, exhibitions and a large number of events – I also have a significant amount of preparation to do for my new autumn teaching (not to mention some chapters and reviews to deliver over the summer).

Busy? Just a bit…

My Royal Society talk: Maskleyne’s reputation

[Cross-posted from the Longitude Project blog]

Readers of this blog may be interested to listen to a talk I gave at the Royal Society last week. Audio and slideshow versions are available here. The talk was entitled “Hero or villain? Nevil Maskelyne’s posthumous reputation” and, while pointing out that ‘hero’ and ‘villain’ are hardly historiographically useful categories I discussed how Maskelyne has come to be most commonly known as the villain of the story of longitude.

I began by briefly introducing the man and his life, before discussing the two early and influential accounts of his life, which demonstrate the range of Maskleyne work and his high international reputation. These were a 1812 article inRees’s Cyclopaedia by Patrick Kelly, who was master of Finsbury Square Academy and an author on nautical astronomy, and the Eloge produced for the French Institute in 1813 by Jean Baptiste Joseph Delambre, permanent secretary for mathematical sciences, director of the Paris Observatory.

Kelly was one of Maskelyne’s close acquaintances and Delambre, according to Lalande in a letter to Maskelyne held in the NMM’s Caird Library, once considered Nevil “le dieu de l’astronomie”. It’s unsurprising that Maskelyne comes out well of these accounts, but it is typical that early 19th-century biography should be sympathetic to its subject and that it should be produced by friends, family or colleagues. They are the sources that were taken up, and thus my talk explored why and at what point the image of this significant figure of British science, who was acclaimed for his dedicated hard work and for making the Royal Observatory useful to the public, became one of elitism and obstructiveness.

As I hope I show, it can’t all be blamed on Sobel’s Longitude but, rather, dates back to earlier rediscoveries of John Harrison, and to horological histories that have tended to ignore significant aspects of the contemporary context.

My talk also dwells a little on my dual response to this. On the one hand there is an academic one that seeks to avoid historical goodies and baddies, to explore fully contexts and motivations and to replace simplistic accounts with more nuanced ones. On the other, there is a sense of injustice which, of course, must mirror that felt by those championing Harrison. There seems to be ample evidence that Maskelyne was a pretty nice, and fair, man but it’s difficult to know what to do with this knowledge! I hope, at least, that future displays at the Royal Observatory – Maskelyne’s home – can take advantage of the objects, manuscripts and accounts that the Museum has to reflect something of Maskelyne’s significance in his own time and his life with friends, colleagues and family as well as antagonists.

While over at the Royal Society’s list of history of science podcasts, do take a look at some of the others on offer. 18th-century enthusiasts will enjoy James Sumner’s “‘How should a chemist understand brewing?’ Beer and theory around 1800″; material culture/materials folk should listen to Susan Mossman on plastics; more on someone closely connected to the history of the Royal Observatory can be found in Frances Willmoth’s talk on Jonas Moore; early 17th-century instruments and clocks are discussed by Rebecca Pohancenik. And much, much more. Many thanks to Felicity Henderson at the Royal Society for inviting me to join them.